The Blank Tapes bring 60s-inspired surf-psychodelic rock and soul-folk pop to Visalia
By Chris Ziegler
Special to the Sun-Gazette
VISALIA – The Blank Tapes is now and always has been Matt Adams, a soft-spoken kid from a Southern California suburb who learned to play practically every instrument a good garage band needs, and then started making beautifully idiosyncratic records on his trusty home eight-track because … well, why wait? When he first heard the Beatles and the Kinks, he knew he needed to make his own songs, too, and so in 2003 he did, with the kind of inspiration and confidence and personality you’d think have faded out in 1967. (Think The Black Keys meets the Beach Boys with a hint of Tom Petty.)
By the time he left his home in Orange County for San Francisco in 2005, he’d put dozens if not a hundred of his own songs on tape, all lovingly and painstakingly and perfectly recorded in a series of ever more modest bedrooms and sheds. The local press loved him and when he landed in the Bay Area, the press there loved him just as much, too. (“Somebody sign him, quick!” said Rolling Stone.)
But the funny thing is this is all the ancient history of Blank Tapes now—or maybe just the prelude. Adams is the kind of guy who writes a song just as natural and as he wakes up everyday. He’s got … maybe almost four hundred originals hovering inside his head, he says, and he remembers them all perfectly. He’s got lost albums and unreleased albums and more albums for the future planned out to the last detail. He paints his own albums covers and posters—with talent enough that he worked for Mad Magazine!—and booked all his own tours and makes the show go on whether its him and a portable amp on a lonely bridge in Austin or him and eight other rock ‘n’ roll powerhouses cracking the stage in half.
In 2010, he got not one but two surprise smash hits in Brazil, leading to his first tour outside North America. He shared bills with sci-fi garage legends Thee Oh Sees and home-taper extraordinaire R. Stevie Moore in Europe. He provided much of the soundtrack to the cult surf film ‘Stoked and Broke’ and took a stripped-down Blank Tapes to Japan to tour with the film. And he custom-wrote a special song for Burger Records Wiener Dog Benefit comp, doing his utmost to help a little puppy pay a vet bill.
Now relocated back to Los Angeles, Adams finds the music he’s loved since that first borrowed guitar is now the new sound of Southern California, thanks to standard bearers like the Growlers, Nick Waterhouse—who played the same off-the-path bars as Blank Tapes, waaaaay back when—and Burger Records, who’ve already released an earlier Blank Tapes full-length. After a year of low-key shows, he’s secured a spot with the Danny Rose booking agency and debuted what he calls the most fully realized version of the Blank Tapes yet—a lean and pristine trio with D.A. Humphrey on bass and Charles on back-to-basics Moe Tucker-style drums, with the kind of three-part harmonies the Wilson brothers used to love. There’s a new energy, he says. For the longest time the Blank Tapes has just been him, writing and recording as time and circumstance allow. But now, after almost exactly ten years and a new album and a new line-up, the Blank Tapes have finally become what he’s always wanted.
Just two weeks ago, The Blank Tapes released their latest album “Candy.” Adams’ newest LP includes songs such as “It’s In My Mind,” “Paradise,” “Feels Like Summer,” “Other Places,” and the title track “Candy.”
The Blank Tapes will perform from 9 to 11:30 p.m. on Friday, July 13 at the Cellar Door, 101 W. Main St. in Visalia. Admission is $8. Opening the night will be Visalia’s own Andrew Kenefick with his full band, collectively known as Bigfoot & The Moon.
For more information, visit CellarDoor101.com.